‘Fight director, Renny Krupinski makes the action look convincing… but also invents new ways for characters to die.’ – The play’s the Thing
‘…a play that references Quentin Tarantino ends up imbibing his anarchic spirit’ – London Theatre ‘Director Jeremy Herrin, along with fight director Renny Krupinski, bring a shockingly violent final scene to life.’ – BroadwayWorld ‘Renny Krupinski’s fight direction is worthy of special mention.’ — The Theatre Times
The Stage. Coriolanus Crucible Sheffield March 2020 Those battle scenes are staged with an almost cinematic intensity – sirens blare, spotlights swoop over the audience, and the immersive nature of Stones’ set means that, depending on where you’re sat, a soldier with a machine gun could be just inches away from you. There’s also some […]
‘When words fail and Brute rough-handles his spouse with rapine hands and, lingeringly, drunkenly, revoltingly kisses her to test her physical reaction for revulsion, the effect is shocking.’ – Dominic Cavendish, Daily Telegraph
Best of all, the final scene involves the hardly insubstantial Jonathan Cake in a stage dive worthy of a punk rock star. British Theatre Guide And when Coriolanus meets his demise, he does so in a spectacular and unexpected way, resulting in gasps and shrieks from the stunned audience. London Theatre Guide
Oldham Coliseum Oldham Chronicle 17th September 2015 ABC of emotions, power and energy Reporter: Paul Genty Date online: 17 September 2015 The Alphabet Girl, Oldham Coliseum Studio, to Saturday IT’S quite a culture shock, moving from Tuesday night’s mightily impressive but emotionally cold epic, “Dead Dog in a Suitcase”, to this one-woman, one-hour, all-emotion tour […]
Traverse, Edinburgh The Scotsman 26/11/10 Who will ensure that the swordplay in your production of The Three Musketeers is authentic? There’s only one man to call IT’S ONE thing the Traverse deciding to put on a non-festive family show at Christmas. And it’s one thing getting acclaimed playwright Chris Hannan to write it. It’s another […]
Already with a Fringe First 2010 under their belts, BareBack Theatre brings a grim, but realistic drama to the stage about low-lives, illegal fighting and greed. The strong cast is flawless, several performers portraying a number of different characters, always with integrity. The gritty story unfolds with the utmost realism, never glossing over any subject […]
Darkchat Having spent most of the festival enjoying Press, 2 for 1 and half-price tickets it was quite a rarity for this reviewer to pay full-price for a show. “Bare”, however, more than re-paid this investment. The play started in the queue with promoter Arden tearing the tickets before you entered the arena (theatre). With […]
Suite 101 Bare is Renny Krupinski’s uncompromising, gritty drama set in the north of England, following the fighting career of Rick “Skinner” as he delves deeper and deeper into the dark world of bare-knuckle fighting, working for the comically evil fight promoter-cum-gangster, Arden. The first thing the audience notices is the energy with which the play […]
- 1
- 2